Calligraphy, printing and book binding
 
William Morris wanted books to be a visual treat and a pleasure to handle. He returned to the first principles of printing, using the finest quality papers and inks. He designed three new typefaces, Golden, Troy, and Chaucer using the camera as a primary tool of design. Troy is the typeface shown here. Troy - typeface by William Morris
 
 
Binding by Katherine Adams Bindings were developed to protect and order written or printed pages. In western Europe the earliest bindings were wooden boards hinged with leather at the spine and closed with leather straps. The Arts & Crafts Movement continued this tradition but also produced exquisite tooled and stamped leather bindings which expressed and enhanced the artistic quality of the book. This binding by Katherine Adams is an example of her pointillé style.
 
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